A ballet in three parts. George Balanchine’s full-length masterpiece, inspired by displays at New York City jeweler Van Cleef & Arpels, is made up of three separate ballets—Emeralds, Rubies, and Diamonds. Emeralds, set to music by Fauré, is a forest green meditation in long, Romantic-style skirts, influenced by the French style of ballet—decorous, restrained, pristine. Rubies, set to Stravinsky, is more like Times Square at midnight: bright lights, rushing crowds, and a touch of jazz. Diamonds, set to Tchaikovsky, is a glittering homage to Imperial Russia and the grand style of Marius Petipa, the father of classical ballet.
Emeralds was captured at the San Francisco War Memorial Opera House in January 2021, with adherence to SFDPH safety guidelines.
"It was a complete surprise," James (Jim) Stephenson says, to be asked by SF Ballet to compose the score for Danielle Rowe's Wooden Dimes. In this interview, Jim shares what inspired his music, how he weaves together motifs for each character, and the steps he took to create something unforgettab...
Corps de Ballet Dancer SunMin Lee describes her travel home and subsequent quarantine in Korea at the start of the pandemic. She shares the exhilarating experience of feeling fully prepared and confident for a performance and how special it was to dance in the Midsummer’s Night Dream performance...
SF Ballet’s 2020 Scholar-in-Residence Carrie Gaiser Casey, PhD gives insight into Alexei Ratmansky’s Symphony #9. In conversation with SF Ballet Principal Dancer Dores André and Soloist Jahna Frantziskonis.