A ballet in three parts. George Balanchine’s full-length masterpiece, inspired by displays at New York City jeweler Van Cleef & Arpels, is made up of three separate ballets—Emeralds, Rubies, and Diamonds. Emeralds, set to music by Fauré, is a forest green meditation in long, Romantic-style skirts, influenced by the French style of ballet—decorous, restrained, pristine. Rubies, set to Stravinsky, is more like Times Square at midnight: bright lights, rushing crowds, and a touch of jazz. Diamonds, set to Tchaikovsky, is a glittering homage to Imperial Russia and the grand style of Marius Petipa, the father of classical ballet.
“I have always thought that Fauré had a special affinity for the flute, because he wrote such gorgeous and flowing music for my instrument,” says Julie McKenzie, 2nd Flute and Piccolo with SF Ballet Orchestra. McKenzie shares her perspective on Gabriel Fauré’s music for George Balanchine’s ballet...
George Balanchine’s Jewels is a study in contrasts: three composers, three styles, three moods. SF Ballet Principal Dancers Sasha De Sola, Tiit Helimets, Soloist Sasha Mukhamedov, and SF Ballet Faculty Member and Former Principal Dancer Pascal Molat discuss the details of Emeralds, Rubies, and Di...
Corps de Ballet Dancer Samantha Bristow talks about her early training that included Tap and Jazz and how those two dance disciplines have been enormously helpful in her career as a ballet dancer. She talks about how she has learned all three sections of Balanchine’s Jewels and why she has speci...